Artist:
Melissa Cooke
“Blocked”
Graphite on Paper, 50” x 67”
Part of the “Surfaced” Series
SURFACED
“Surfaced” acknowledges the relationship between photography, painting and drawing in portraiture. I take photographs as I paint and pour liquids onto myself, using my face as a canvas. The photo shoot references the practice of drawing and painting; then the final graphite drawing references photography. The boundaries between the mediums are broken down and the processes are interwoven. “
The images depart from the framing of traditional portraiture. The viewer is not given an entire bust of the subject, rather the frame zooms into up-close sections of the face. The cropping pushes the face to the surface of the paper, making the figure more ambiguous. Flesh becomes abstracted: obliterated by paint on the skin, distorted by the eye of the camera lens, or smeared by the glass of a Xerox machine.”“Photographs are used as inspiration for drawing and mark making. The drawings are made by dusting thin layers of graphite onto paper with a dry brush. The softness of the graphite provides a smooth surface that can be augmented by erasing in details. Gestural marks are apparent, while still creating dimension. Textures are given precedence over portraying a likeness to the figure. The act of drawing becomes the focus.”
(via shinyslingback)
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offbyzero reblogged this from immutable-universe and added:
Melissa Cooke “Blocked” Graphite on Paper, 50” x 67” Part of the “Surfaced” Series SURFACED “Surfaced” acknowledges the...
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immutable-universe reblogged this from shinyslingback and added:
Not sure if I’m the biggest fan of the style, but I adore the studio.
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by Melissa Cooke
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